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Author Topic:   BFVF Memories & Reflections
Devon Damonte posted 2/17/04 9:00 PM     Click here to send email to Devon Damonte  
Welcome! This is a place for anyone
who wants to share memories and
reflections about the Boston Film •
Video Foundation.
Devon Damonte posted 2/17/04 9:05 PM     Click here to send email to Devon Damonte  
When I heard BFVF was closing, for
several days I felt remarkably similar
to how I feel when a dear old friend
has died after a long illness. Hence, I
don't know about anybody else, but
I'd like a place to do some grieving
and tell stories about the old haunt
(I'm sure there's many tales to be
told!). Sorta like an online campfire /
wake. Which is especially helpful
since so many of us from the BFVF
community are now in far flung
pastures away from Boston. And
while the institution is dead, we the
community live on (most of us
anyway) - and that to me has always
been the best part about BFVF.
Please note the link here to BFVF's
home page where you can read the
letter from ultimate Board President
Llew Smith which eloquently
describes the closing details. Note
too therein that many of BFVF's best
assets (the New England Film and
Video Festival, etc.) will live on under
new stewardship, through the new
Boston Educational Film and Video
Association, housed at Film Shack.
Stay tuned to Newenglandfilm.com
for updates, and keep up the good
fight!
Michele Meek posted 2/17/04 9:49 PM     Click here to send email to Michele Meek  
I have a great fondness for BFVF for many reasons. I took my first filmmaking course there with the wonderful director and teacher Ellie Lee. The staff of BFVF (Anne Marie Stein, Devon Damonte & Laura Wilson) were extremely supportive of NewEnglandFilm.com in its earliest stages. In fact, BFVF became the first 'web client' of NEFilm and it grew to be a wonderful partnership that lasted many years. It's truly sad to see an organization that has been so supportive to indie filmmakers struggle to survive. I do, however, have hope in the future 'reincarnation' of BFVF through FilmShack and will do what I can to keep the spirit alive through NEFilm as well.


http://www.newenglandfilm.com
Anne Marie Stein posted 2/19/04 10:35 PM    
For me, BF/VF closing is a little like someone telling you your ex just passed away. It brings back a flood of memories-- all the people who came through the house, the collective and individual dreams, and the ins and outs of a relationship fraught with its own challenges. BF/VF was a great place and served as an important nexus for the independent film community. I always believed, and still do, that not only should BF/VF have survived, it should have thrived.
Scott Anderson posted 2/21/04 5:58 AM     Click here to send email to Scott Anderson  
I discovered BFVF via a Spaulding Gray. The walls were black, and Spaulding sat behind a card table. We sat on the (dirty) floor. It was a magical night. Spaulding's show was to raise money for BFVF (of course).
Now both are gone.
They were wonderful and fragile and gave more than they had to give, and I miss them both.


http://home.fiam.net/hssw
Harvard Square Scriptwriters
Felicia Sullivan posted 2/25/04 4:16 PM     Click here to send email to Felicia Sullivan  
I first came to know about BFVF through a profile of its Gang PEACE, youth media project, highlighted in an issue of The Independent (i think). When looking for job opportunities after grad school I thought that it was the kind of place I could see myself working. Not knowing if they had any open positions I sent off a resume and cover letter. In no time I got a call from Anne Marie Stein (or perhaps Cherie Martin) asking if I'd be interested in applying for the Director of Education position. I said yes until I saw how much the description entailed and I thought how can one person do all of the things detailed (for any of you who have been staff at BFVF, you know I should have turn tail and run, run fast). But Anne Marie, being the ultimate salesperson, talked me into interviewing and I was hired.
BFVF, while at times a stressful and chaotic place to work, introduced me to so many wonderful things. Thanks to BFVF, I have a strong understanding of the field of media arts which has given me much professionally. Thanks to BFVF, my skills and experience in administering arts programs grew significantly. Thanks to BFVF, I became connected to many wonderful makers both seasoned and green. Thanks to BFVF, I was able to work with a wonderful staff (Anne Marie Stein, Cherie Martin, Paul Desaulnier, Shayna Casey, Nine Lambiase, Jared Dubrino, Genevieve Davis). And most noteably, thanks to BFVF, I have two wonderful long terms friends who even dared to share an apartment with me, Shayna Casey and Sarah Hood.
Like Devon, I feel as though a long distant aunt (they kind that stretched you and infuriated you) has died and with that passing a part of myself has gone too.
Thanks all of you wonderful people (makers, staffers, volunteers, supporters) for connecting with me through the entitiy that was BFVF.


http://www.ltc.org
current community media gig
Alex Tolan posted 3/2/04 9:15 PM    
I was sad to hear about the closing
of BF/VF - I too started my exploration
of filmmaking through BF/VF,
particularly via the Film Fusion
Workshop with Richard Broadman
and Rob Todd. I learned alot and
remember it fondly. It provided good
preparation for my entry into Grad.
film school and also put me in touch
with people I am still friends with
today.
Laura Wilson posted 3/3/04 4:31 PM    
It was sad to hear, last month, about
BFVF's demise. Although maybe its
time had come, there's no denying
the important role BFVF played in
supporting local emerging
filmmakers, especially in the late 70s
and early 80s.
News of the closing brought to the
surface my many complicated
feelings about BFVF. Like many
staff over the years, I believed
passionately in its mission, while
often finding it a difficult and
frustrating place to work.
Still, I will always be enormously
grateful for the ways BFVF helped me
grow and change--both personally
and professionally.
At BFVF, I was given (by the director
and board) an extraordinary and fairly
unique chance to manage and build
an entire program, a level of
responsibility then almost completely
new to me. In the process, I learned
to think strategically and live with my
mistakes and successes-- I
developed many new skills. I'll never
forget this.
I'm grateful, too, for the many
relationships begun and
strengthened at BFVF, from former
office manager Paula Ribeiro, who
became a good friend and business
partner, to Jay Laird, former board
member, with whom I've since spent
countless hours, days, and weeks
co-writing and producing various
projects. I think especially about the
chance to collaborate closely with my
film school mentor, the late Richard
Broadman (himself a former BFVF
board member!) in creating the
innovative, hands-on training
initiative that Alex mentioned, above.
The many teacher-filmmakers I met
at BFVF helped shepherd me beyond
my relative fresh-out-of -film-school
naivete--people like Bill Anderson,
Abby Freedman, and veteran indie
filmmaker Roger Corman--it's really
because of them that I was able to
produce and finish my first feature
film with distribution, a life changing
experience, to say the least....
So for all this, and for how BFVF
worked to make filmmaking
accessible to regular people, I
mourn its passing.
Pam Korza posted 3/14/04 4:52 PM     Click here to send email to Pam Korza  
As codirector of the New England Film & Video Festival for many years, my connection to BF/VF spanned a good part of its life. The memories I have of the festival, BF/VF, and the media artists who were a part of it are among my most cherished; so hearing that BF/VF is no longer, makes me sad.
I remember showing NEFVF winners for the first time in Boston at the old Allston space and then later on at Boylston Street. I remember the day Julie Levinson and I trekked all dressed up into The Boston Globe’s office and walked out with our first big sponsorship. The annual cycle of judging was exhilarating, a tangible marker of a year of creative energy on the sets, in editing suites, and processing houses throughout New England. The cumulative list of judges and award winners now read like a who’s who in the history of independent media arts.
The festival was mounted each year with the sweat labor and smarts of countless interns, behind the scenes folks like Paul Desaulniers, master of lists, and Dan Hartnett and Nine Lambiase who steadfastly projected for hours on end with temperamental equipment. The festival saw at least four BF/VF directors. For most of my involvement, friend and partner Anne Marie Stein lent her vision and ideas in so many important ways that advanced the festival. Advisors and cheerleaders like Toni Treadway and Bob Brodsky, Clare Andrade-Watkins, Beau Smith, Michael Blowen, and successor NEFVF directors Cherie Martin and Devon Damonte were instrumental. There are just too many to name. I’m so glad to hear that the festival will live on and wish all good things for its next era of leaders, workers, and audiences.
New England shines blindingly bright as a locus of important and amazing work because BF/VF was there for artists for so long. BF/VF is one of those places that can never be relicated, because it was inspired by its times, many times over, and served its community well, even in the worst of times. BF/VF was influential, instrumental, and important and, even in its absence, I’m guessing its impact will still be felt for a long time to come.
Cherie Martin posted 3/18/04 6:24 PM    
My time at BFVF was a formative time both in my career and in my getting to know the New England film community. My first job after moving to Boston was running the NEA's film grant program at BFVF and creating the Meet the Director series. It was an exciting time and I second Felicia's comment about how special the staff was during those later years. I was honored to follow the formative leadership of Pam Korza in taking on the New England Film & Video Festival and have fond memories of NEFVF pre-screenings and the road trip Anne Marie and I took to check out other media arts organizations. It's sad that so many of them, like BFVF, have foundered and folded but they served an important service to our community during a growth period and touched the careers and lives of many - both through the work and in making the work. To all those I have known and worked with, I wish much success and many new opportunities.
Chris Brooks posted 5/27/04 2:36 AM     Click here to send email to Chris Brooks  
I have just found out this sad news of the passing
of BFVF. I see that it was earlier this year and
nobody is still responding. Regardless, as I read
this news I felt a need to share with someone my
feelings. I spent many days and nights at the
Boylston office when it was brand new, filthy dirty,
chaotic and full of the most energetic and devoted
people that I had ever met. It was the experiences
there that provided my entre into what now has
become a fruitful and exciting career. I have no idea
where most of the people from that time have gone
but I often miss them and their zest for filmmaking.
They were as talented and interesting as anyone I
have met in the major feature filmmaking
communities here in LA or in New York or London.
I'm truely sad that the opportunities afforded me
will no longer be available to young film and video
artists.
Chris Brooks, Film Music Producer, Sherman Oaks,
CA.
marisa creed posted 8/26/04 7:05 PM     Click here to send email to marisa creed  
I can't believe BFVF closed! I work at a for-profit film company now & it will never have the same artistic energy, fun & sometimes overwhelming atmosphere of BFVF. What a loss for Boston.BFVF is so special to me. What other place would let a 20 year old turning 21 film student be their office manager for the summer?! thanks to Anne Marie Stein and Lillian Baulding for giving me that oppurtunity. Working there opened my eyes to what I was capable of and what good people with artistic/community goals could accomplish together. We had a lot of fun and did a lot of good on a small budget. Someone should make a film about that! Best of all was the spirit of the place and the people who used it. I haven't worked in such a cooperative/creative film atmosphere since. I hope I do again. Anyone that wants to e-mail me I'd love to say hi...Laura, Paula,Anne Marie, John, Lillian, Devon...anyone! Best to all.
marisa creed posted 8/26/04 7:07 PM     Click here to send email to marisa creed  
I can't believe BFVF closed! I work at a for-profit film company now & it will never have the same artistic energy, fun & sometimes overwhelming atmosphere of BFVF. What a loss for Boston.BFVF is so special to me. What other place would let a 20 year old turning 21 film student be their office manager for the summer?! thanks to Anne Marie Stein and Lillian Baulding for giving me that oppurtunity. Working there opened my eyes to what I was capable of and what good people with artistic/community goals could accomplish together. We had a lot of fun and did a lot of good on a small budget. Someone should make a film about that! Best of all was the spirit of the place and the people who used it. I haven't worked in such a cooperative/creative film atmosphere since. I hope I do again. Anyone that wants to e-mail me I'd love to say hi...Laura, Paula,Anne Marie, John, Lillian, Devon...anyone! Best to all.
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